Sketching as a Catalyst: How my Drawings developed overtime?
Sketch of Ibn Tulun Mosque, old Cairo
In this blog post, I am sharing my experience of sketching over time and how it was developed and improved. enjoy the Read.
Early Talent
From a young age, I discovered the joy of holding a piece of paper and a set of colored pencils and drawing whatever I think about. As a child, I had a sort of talent for Arabic handwriting and drawings, but sadly, I never took the opportunity to develop it further beyond occasional art classes at school. It wasn't until high school that my habit of drawing took a backseat, temporarily forgotten.
However, everything changed when I enrolled in architecture school. In those early years, when hand-drawn sketches were integral to the learning process, I found myself once again finding joy in drawing and sketching. although I was a mere mediocre kind of drawing from the internet and useless tutorials.
First Encounter
During my second year of architecture school, I had the fortunate encounter with a professional artist, Ahmed ElGaniney. It happened unexpectedly when I stumbled upon him teaching children and young art enthusiasts in a local bookstore and coworking space in Mansoura. Fascinated by his talent, I felt compelled to meet him and learn from him—an opportunity that was rare in the place where I grew up.
At that time, my sketches were mediocre at best. I mainly relied on pictures from the internet, which provided a certain level of enjoyment. While those around me liked my sketches, ElGaniney didn’t like them at all. Without much comment, he asked me to set aside my work and offered to teach me something different. His proposition piqued my curiosity, and I eagerly enrolled in his classes.
one of my first sketches I did when I joined architecture school back in 2011
Distracted vs. Focused
I distinctly remember the initial four lessons being a struggle. The first exercise involved drawing a still-life scene featuring a hanging cloth and a pot. I questioned my decision to be there. Surprisingly, the lessons lasted for over eight hours, although I couldn't endure more than two. However, my colleagues managed to stay.
Initially, I sought a quick, sketch-and-run approach—spending just a few minutes with a pencil and producing what I thought was a work of art. However, it became apparent that this method didn't align with Ahmed's teachings. Recognizing my impatience, my teacher advised me to observe attentively and exercise patience. Finally, I grasped his intention and decided to dedicate an entire day to working on that still-life scene. I began to understand the satisfaction derived from drawing and sketching slowly, taking the time to carefully observe the object in front of me. Hours would pass without my realization. It was during these moments of intense focus that I comprehended the true purpose of sketching.
Through sketching from real-life subjects, I discovered the significance of capturing light, shadows, textures, and forms. Patience and attention to detail became crucial elements in my practice. I gradually honed my ability to depict these elements accurately.
Early still Alive drawings
Reflection on Architecture
The lessons learned from Ahmed and my subsequent exploration of sketching have become an integral part of my architectural journey. They have allowed me to appreciate the beauty of Islamic architecture in a profound way. Sketching has become a process of connection and discovery, although I wasn’t fully aware of how the development is undergoing.
But as I progressed, I shifted my focus towards learning how to draw perspective, realizing its immense importance in establishing the relationship between the eye, the hand, and the mind. Without a solid foundation in perspective, drawings would inevitably fall short, resulting in a lack of understanding and growth. Accuracy in proportions became an important element in the sketching process, as incorrect proportions would hinder my ability to learn and improve.
Sketch of Ibn Tulun Mosque, 2012
First Urban Sketching
During my third year, I embarked on a school trip to Al Moaz Street in Cairo, home to magnificent Islamic architecture. It was my first visit to this renowned location, and I made sure to bring my sketchbook with a singular goal in mind: to sketch whatever I can. Although it was a challenge, as I typically spent only 1 to 2 hours per sketch, I was determined to take my time and immerse myself in the process.
Urban sketching in Al Moaz Street, old Cairo 2013
Urban Sketch of Al Aqmar Mosque, Al Moaz Street
Sketching Alexandria Project
I came across a remarkable project called Sketching Alexandria, initiated by Mohamed Gohar. This ambitious endeavor aims to sketch and document the waterfront of the city of Alexandria, capturing its important monuments and landmarks. The project serves as a response to the ongoing destruction of these sites, offering a way to preserve the heritage through artistic documentation.
When I learned about this project, I saw an incredible opportunity to contribute to its mission. I applied to join the team, and I was fortunate enough to be accepted. Participating in Sketching Alexandria was an unforgettable experience.
I remember the early mornings, filled with excitement, as we gathered to embark on a day of sketching. Joined by fellow artists and individuals who shared the same passion, we spent hours capturing the essence and beauty of Alexandria's waterfront. It was inspiring to witness the diverse perspectives and artistic interpretations that unfolded throughout the day.
Although my participation in the project was limited due to the distance between Alexandria and Mansoura, the memories and experiences I gained during my time with Sketching Alexandria will forever hold a special place in my heart. It was a privilege to contribute to the preservation of Alexandria's history and witness the power of art in creating awareness and appreciation for our architectural heritage.
Sketch of Citadel of Qaitbay
Sketching Doha
During my time in Doha, I was determined to immerse myself in architecture through the practice of urban sketching. While I thoroughly enjoyed the experience, I must admit that maintaining this habit proved to be a challenge during my stay.
The fast-paced nature of life in Doha made it difficult to find moments of tranquility for sketching. However, whenever I did manage to carve out time for sketching, it was a source of immense joy and fulfillment.
Urban sketch of MIA ( Museum of Islamic Arts )
Honing my skills
Although I had limited opportunities for urban sketching in Doha, I dedicated myself to honing my sketching skills. During this time, I started a YouTube series called "Film+Sketch" where I recorded myself in the process of sketching. I paid careful attention to details and allowed myself ample time to perfect each sketch.
The results were incredible. I produced a few sketches during this period that I consider to be my best work thus far. Additionally, I had the opportunity to revisit my favorite mosque in Cairo, Ahmed Ibn Tulun Mosque, and created some new sketches capturing its beauty.
MIA ( Museum of Islamic Arts )
Sketch of Ibn Tulun Mosque, old Cairo
Travel Urban Sketching
Since I started studying in Germany, I rediscovered urban sketching’s value and made a commitment to practice it more regularly. Today, I consider sketching to be an essential aspect of my life—a lifelong exercise that deserves consistent development. I used to have the sketchbook wherever I go, so I can be able to sketch more. I did sketches for every town or city I traveled to. especially during this time, I realized how important the accumulation of what I did before and how it affects every aspect of being an architect.
An architecture pilgrimage to Italy
I have read about the journey of Le Corbusier, a renowned architect who is widely known in the field of architecture. His journey across Europe, where he engaged in sketching and analyzing architecture, had a profound impact on his remarkable contributions to the field. Ever since learning about his experience, I had dreamed of going on a similar trip, one where I can immerse myself in architecture and devote my time to sketching and studying the built environment.
On an 18 days trip to explore Italy's best cities and architecture (from Milan to Siena, to Florence to Venice), with the sole goal of drawing and sketching every day. I successfully fulfilled this promise, creating over 35 sketches throughout Italy. (find sketches gallery here)
During my travels, I found myself sketching three to four times a day—on trains, in airports, in cafes, and even while standing in the shadows. It was as if I had tapped into all the lessons I had learned from my teacher, effortlessly applying them to my sketching practice.
Cathedral of Santa Maria del Fiore, Florence
Sketching Colosseum in Rome
In conclusion, I believe that sketching serves as a catalyst for change. It is not solely about the outcome of the sketch, but rather the process itself. The act of sketching allows me to immerse myself at the moment, dedicating time and concentration to draw one detail in a building or capture the vibrancy of an urban setting. Through this journey, I have rediscovered my passion for drawing and learned the value of patience and focus. Sketching has become a transformative experience that enhances my understanding of the world around me. I am excited to see how sketching will continue to inspire and influence my architectural journey.
